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Toni Morrison quotes

27 quotations, each verified against its source and credited to the work it comes from — the wording as Toni Morrison wrote or said it, not as the internet passes it around. Page 1 of 2.

Illustrated portrait of Toni Morrison
Pen-and-ink illustration of a manuscript, blue editing pencil, winter branches, and a river view
Oppressive language does more than represent violence; it is violence.
— Toni Morrison, Nobel Lecture, 7 December 1993
Writing before dawn began as a necessity.
— Toni Morrison, The Art of Fiction No. 134, The Paris Review, 1993
We die. That may be the meaning of life. But we do language. That may be the measure of our lives.
— Toni Morrison, Nobel Lecture, 7 December 1993
Language alone protects us from the scariness of things with no names. Language alone is meditation.
— Toni Morrison, Nobel Lecture, 7 December 1993
Word-work is sublime, she thinks, because it is generative; it makes meaning that secures our difference, our human difference – the way in which we are like no other life.
— Toni Morrison, Nobel Lecture, 7 December 1993
I don't know whether the bird you are holding is dead or alive, but what I do know is that it is in your hands. It is in your hands.
— The blind woman in Toni Morrison's parable, Nobel lecture, 7 December 1993
I entered this hall pleasantly haunted by those who have entered it before me.
— Toni Morrison, Nobel banquet speech, Stockholm, 10 December 1993
Good editors are really the third eye. Cool. Dispassionate. They don't love you or your work; for me that is what is valuable — not compliments.
— Toni Morrison, The Paris Review, The Art of Fiction No. 134 (1993)
As a matter of fact, while I was at Random House I never said I was a writer.
— Toni Morrison, The Paris Review, The Art of Fiction No. 134 (1993)
I wanted to give back something. I wasn't marching. I didn't go to anything. I didn't join anything. But I could make sure there was a published record of those who did march and did put themselves on the line.
— Toni Morrison on why she published the writers she published, The New Yorker, 2003
124 was spiteful.
— Toni Morrison, Beloved (1987), opening sentence
It was not a story to pass on.
— Toni Morrison, Beloved (1987), final section
Please forgive me. I loved you all.
— Robert Smith's note in Toni Morrison, Song of Solomon (1977), Chapter 1
They called it Not Doctor Street
— Toni Morrison, Song of Solomon (1977), Chapter 1
But was it really like that?
— Claudia's narration in Toni Morrison, The Bluest Eye (1970)
listen for truth in timbre
— Claudia's narration in Toni Morrison, The Bluest Eye (1970)
My mother danced all night and Roberta's was sick.
— Twyla (narration) · Toni Morrison, Recitatif (1983), opening sentence
The kitchen woman with legs like parentheses.
— Twyla (narration) · Toni Morrison, Recitatif (1983)
Things are not right. The wrong food is always with the wrong people. Maybe that's why I got into waitress work later—to match up the right people with the right food.
— Twyla (narration) · Toni Morrison, Recitatif (1983)
Now we were behaving like sisters separated for much too long. Those four short months were nothing in time.
— Twyla (narration) · Toni Morrison, Recitatif (1983)
Actually my sign didn't make sense without Roberta's.
— Twyla (narration) · Toni Morrison, Recitatif (1983)
I didn't kick her; I didn't join in with the gar girls and kick that lady, but I sure did want to.
— Twyla (narration) · Toni Morrison, Recitatif (1983)
In that place, where they tore the nightshade and blackberry patches from their roots to make room for the Medallion City Golf Course, there was once a neighborhood.
— The narrator · Toni Morrison, Sula (1973), opening sentence
It is called the suburbs now, but when black people lived there it was called the Bottom.
— The narrator · Toni Morrison, Sula (1973), opening section
Otherwise the pain would escape him even though the laughter was part of the pain.
— The narrator · Toni Morrison, Sula (1973), opening section

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