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Cover of Paris 1928: Nexus II by Henry Miller

Paris 1928: Nexus II

by Henry Miller

Miller and June’s first Paris trip, recovered from an unfinished manuscript before the city became part of his legend.

Published
2012
Pages
176
Setting
Paris
Shelf rating
4.0

About Henry Miller

Illustrated portrait of Henry Miller

The story, briefly

Spoiler-free

Paris 1928 is the unfinished continuation of Nexus, not another title for the trilogy’s third volume. Its narrator, Val, travels to Europe with Mona, Miller’s fictional version of June. The first visit to Paris opens onto artistic encounters and further travel while the couple’s difficult marriage follows them abroad. Indiana University Press published the abandoned draft in English in 2012, with illustrations by Garry Shead.

The unfinished story

Val and Mona leave the New York life recalled in Nexus for their first European journey together. Paris offers new acquaintances and a different setting for Val’s ambitions; travel farther east brings encounters with Mona’s family. This is the 1928 visit, not Miller’s later move to Paris in 1930.

Because Miller abandoned the draft, the book does not have the final form of a completed fourth installment. Its value is the additional perspective it offers on the marriage and the beginnings of the European experience, rather than a definitive resolution of the trilogy.

Themes and analysis

These readings discuss events throughout the book, including its ending.

What happens on the first European journey

Henry Miller revisits his first trip to Europe with his second wife, June, who appears as Mona. The narrator is called Val. He arrives with a writer’s ambitions and an unsettled marriage, before the years of poverty described in Tropic of Cancer.

The journey begins in the shadow of the life the couple has left in New York. In Paris, meetings with artists and acquaintances give Val reasons to question American expectations about work and respectability. The manuscript also follows travel into Eastern Europe and encounters with Mona’s family. These passages complicate the idea of Europe as a single place of escape.

Val and Mona arrive with the hopes and tensions of their first European journey. An original imagined scene inspired by Paris 1928: Nexus II. (Illustration — The Paris Atlas)

An unfinished continuation of Nexus

Nexus closes the published Rosy Crucifixion trilogy. Paris 1928 continues beyond that book’s boundary, but Miller abandoned the draft. Its unfinished condition matters: readers are encountering a further attempt to tell the story, without the revisions and final shape of a completed novel.

The book therefore belongs beside Nexus, not under it as an alternate title. Nor should the trip be confused with Miller’s move to Paris in 1930. In 1928, he and June were visiting Europe together; the later move began a different phase of his life.

Memory, marriage, and the writing

The account uses the freedom of autobiographical fiction. Val and Mona have real-life models, but their conversations and actions belong to Miller’s retrospective narrative. June’s own explanation of the marriage is not supplied by the way her husband portrays Mona.

The draft combines travel episodes with reflections on becoming a writer. Its unevenness gives readers another version of material Miller returned to across several books. Comparing these versions can reveal changes in emphasis; it cannot establish that the most vivid version is the most historically accurate.

The change of setting does not resolve the marriage Val describes. An original imagined scene inspired by Paris 1928: Nexus II. (Illustration — The Paris Atlas)

The illustrated English edition

Indiana University Press published the first English edition in 2012. Australian artist Garry Shead supplied the illustrations, and the edition contains two color plates and eighty-five black-and-white drawings. These images were made for the published edition, rather than drawn by Miller as part of his draft.

Read the book after Nexus if you want the continuation of the trilogy’s chronology. Read Tropic of Cancer for the finished work about the later Paris years. Paris 1928 is especially useful between those books, where it makes the difference between the first visit and the eventual expatriate life clear.

Why we recommend it

  1. Before the Paris mythology

    The unfinished manuscript catches Miller and June at the beginning of the European story he spent a lifetime retelling.

  2. The first European visit

    Val and Mona’s journey offers a different view of Europe from the Paris life depicted in Tropic of Cancer.

  3. An unfinished continuation

    The fragment lets readers see where Miller took the story after Nexus, while its incomplete form remains visible.

What this book explores

Timeline

  1. 1928

    Miller and June visit Europe together, the journey later reworked in this unfinished narrative.

  2. 1960

    Nexus completes the published Rosy Crucifixion trilogy; the unfinished continuation extends its story beyond that volume.

  3. 2012

    Indiana University Press publishes the first English edition of Paris 1928, illustrated by Garry Shead.

Book editions

Paperback edition cover
Paperback
Indiana University Press
2012
ISBN-13
9780253008312

Reader reviews

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Cover of Sexus by Henry Miller

Sexus

Henry Miller

The New York marriage whose next chapter is this first Paris journey.

Read our take
Cover of Nexus by Henry Miller

Nexus

Henry Miller

The fragment continues the autobiographical territory of the trilogy’s final volume.

Read our take

Also recommended in books like Sexus.

Paris 1928: Nexus II: frequently asked questions

Is Paris 1928 another title for Nexus?

No. It is a separate, unfinished continuation of Nexus, often identified as Nexus II.

Who are Val and Mona?

Val is Miller’s autobiographical narrator; Mona is his fictional representation of June Mansfield.

Does the book describe Miller’s move to Paris?

It describes the couple’s 1928 European visit, before Miller settled in Paris in 1930.

Who made the illustrations?

Garry Shead illustrated the 2012 English edition; the drawings are not Miller’s manuscript illustrations.

Is Paris 1928 a finished novel?

No. It is an unfinished continuation of Nexus, published separately rather than presented as a completed new novel.

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References

References

The sources below include the primary text, editions, scholarship, archival materials, and other records that informed this page. They document Paris 1928: Nexus II, its publication, and its place in literary history.

  1. 1Paris 1928 — edition and illustrator information

    Website
    Indiana University Press
    Used for

    Web source consulted for documented facts and historical context presented on the Paris 1928: Nexus II page.

    View source
  2. 2Paris 1928 (Nexus II) — review

    Website
    Publishers Weekly
    Used for

    Web source consulted for documented facts and historical context presented on the Paris 1928: Nexus II page.

    View source
  3. 3Paris 1928: Nexus II — Open Library ISBN catalogue

    Official record
    Open Library, Internet Archive
    Used for

    Official record used to verify names, dates, institutional details, or other factual information on this page.

    View source
  1. 4Paris 1928: Nexus II — Google Books edition record

    Official record
    Google Books
    Used for

    Official record used to verify names, dates, institutional details, or other factual information on this page.

    View source
  2. 5Paris 1928: Nexus II — Internet Archive ISBN catalogue

    Official record
    Internet Archive
    Used for

    Official record used to verify names, dates, institutional details, or other factual information on this page.

    View source
  3. 6Paris 1928: Nexus II — Library of Congress books catalogue

    Official record
    Library of Congress
    Used for

    Official record used to verify names, dates, institutional details, or other factual information on this page.

    View source
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Why these sources are here

The primary text is the baseline reference for every book page. Additional references document publication history, interpretation, and historical context where that evidence is available.

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