

Love Is a Dog from Hell
The poems of the Women years: desire, wreckage and the typewriter, in the collection whose title became Bukowski shorthand.
- 1977
- Savage
- Wry
- Melancholy
- autobiographical
- voice-driven
- spare
- filthy
About Charles Bukowski
The story, briefly
Spoiler-freeLove Is a Dog from Hell, published by Black Sparrow Press in 1977, collects Charles Bukowski's poems of 1974 to 1977 — the years of sudden fame that his novel Women turned into fiction the following year. The subject is love as Bukowski actually experienced it: arriving, going wrong, and leaving material behind. The title has escaped the book to become general Bukowski shorthand, and the collection remains the most common entry point to his poetry, working the same rooms as the novels line by line — the drinking, the women, the racetrack, the typewriter — with the compression the poems add.
The story, in more detail
The collection belongs to Bukowski's middle poetry: past the apprentice decades, before the elegiac late books. The poems are short-lined, conversational, and built on anecdote — a night, a phone call, a departure — each cut before its sentiment can settle. The French title of its translation, L'Amour est un chien de l'enfer, was one of the books that made his name in France before the 1978 Paris trip.
Themes and analysis
Cold plums
Christine Brandl reads “cold plums” as a resistance to making everyday objects deliver a revelation. In the passages she quotes, eating fruit frames a woman’s account of a property owner and the shop he cannot buy; finishing the fruit accompanies the listener’s brief response. The small bodily activity supplies a measure of time while someone else occupies the conversation. The scene’s intimacy need not produce either a declaration of love or a dramatic quarrel. Its ordinary duration is itself material for a poem, without requiring the plums to become a symbol.
The forgotten banknote
In the passages from “$$$$$$” discussed by Brandl, a forgotten banknote briefly turns an old coat into an unexpected resource. The speaker treats the discovery as amusing, but his co-workers answer with hostility and demands that he resume work. Their responses change the meaning of the same small sum: what feels like a windfall to one person recalls scarcity to others working two jobs. Brandl connects this friction to labor’s erosion of solidarity. The exchange makes economic pressure audible between workers, rather than locating it only in an argument with management.
Why we recommend it
The standard entry to the poems
Conversational, anecdotal, and continuous with the novels — the gentlest crossing from Bukowski's prose to his verse.
The title alone
Few modern poetry titles have escaped their books so completely; the collection shows where the phrase learned its meaning.
Relationships in short forms
The poems let changes in desire, attachment, and disappointment appear in concentrated episodes rather than a continuous romantic story.
What this book explores
Timeline
1974–1977
The poems are written through the first years of Bukowski's literary fame.
1977
Black Sparrow Press publishes the collection; French translation follows and helps build his European readership.
2003
Ecco reissues the collection, continuing its publication beyond the Black Sparrow edition.
Book editions
- Paperback
- Black Sparrow Press
- 1977

- Paperback
- Ecco
- 2003
- 9780061477409
Reader reviews
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Read our takeLove Is a Dog from Hell: frequently asked questions
What is Love Is a Dog from Hell about?
Charles Bukowski's 1977 collection gathers his poems of 1974 to 1977, most of them about love and its failures — the affairs of his years of late fame, the drinking around them, and the typewriter they ended up in.
Is Love Is a Dog from Hell a good introduction to Bukowski's poetry?
It is the usual one. The poems are short, conversational and anecdotal, and readers who know the novels will recognize the world immediately.
What connects Love Is a Dog from Hell to the novel Women?
The same years and the same material: the collection's 1974–1977 poems come from the relationships that Women, published the following year, turned into fiction.
When was Love Is a Dog from Hell published?
Black Sparrow Press published it in 1977; Ecco keeps it in print.
Did the French know this book?
Yes — as L'Amour est un chien de l'enfer, one of the translations that built Bukowski's French readership just before his famous 1978 Paris visit and the Apostrophes broadcast.
What years does it cover?
1974 to 1977, as the subtitle says — the years of the Linda King relationship and of Bukowski's arrival at real fame.
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References
The sources below include the primary text, editions, scholarship, archival materials, and other records that informed this page. They document Love Is a Dog from Hell, its publication, and its place in literary history.


1Love Is a Dog from Hell
NovelCharles Bukowski, 1977Used forThe primary text represented by this page, used for descriptions of the work’s contents and for any quoted passages shown here.

2Charles Bukowski (Poetry Foundation)
WebsiteUsed forBiographical and bibliographic backbone: the career arc, the Black Sparrow relationship, and the book's place in it.

3Charles Bukowski timeline (bukowski.net)
WebsiteUsed forPublication dates, publishers, and chronology checked against the bukowski.net timeline.

4Charles Bukowski: books and chapbooks (Verdant Press checklist)
WebsiteUsed forBibliographic details cross-checked against the Verdant Press checklist.

5Love Is a Dog from Hell — edition record
Official recordOpen Library, Internet ArchiveUsed forOfficial record used to verify names, dates, institutional details, or other factual information on this page.

6The Poetry of Charles Bukowski: Narrative, Subjectivity and the Everyday — MA thesis
NonfictionUniversity of Kent, 2018Used forPrimary passages quoted within Brandl’s critical discussion, not complete poems. Her everyday-life and workplace readings are attributed below; no first-edition collation claimed.

7Love Is a Dog from Hell — poem database contents
WebsiteBukowski.netUsed forSpecialist contents independently confirms both poems belong to this collection; start pages differ from locators for excerpts quoted in the thesis.
The primary text is the baseline reference for every book page. Additional references document publication history, interpretation, and historical context where that evidence is available.
