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Cover of Screams from the Balcony by Charles Bukowski

Screams from the Balcony

Selected Letters 1960–1970

by Charles Bukowski

The letters of the post-office decade: an unknown poet writing to small-magazine editors while sorting mail for a living.

Published
1993
Shelf rating
4.1

About Charles Bukowski

Illustrated portrait of Charles Bukowski

About the volume

Screams from the Balcony, published by Black Sparrow Press in 1993 and edited by Seamus Cooney, is the first of three volumes of Charles Bukowski's selected letters. It covers 1960 to 1970 — the decade when he was working at the Los Angeles post office, publishing in little magazines, and writing constantly to the editors who printed him. The letters are the record of a career being built by mail: submissions, arguments about poetry, complaints about work, and the correspondence with John Martin that ended with Martin offering him a hundred dollars a month to quit his job. Because Bukowski wrote letters the way he wrote everything else, the volume also reads as autobiography for a decade he never wrote a memoir about.

The volume, in more detail

The correspondence matters for a plain reason: almost nothing else documents these years from inside. The novels came later and fictionalized them; the poems compress them. In the letters Bukowski is writing to particular people about particular things on the day it happened, which makes this the closest thing to a primary record of the decade before he became famous. The first edition included 300 signed copies with an original silkscreen print, alongside the trade printing.

Themes and analysis

These readings discuss events throughout the book, including its ending.

The first chapbook arrives

The Griffith correspondence turns publication into a reversal of roles. In the excerpts quoted by George Anderson, Bukowski first accuses his publisher of indifference and incompetence, then celebrates the arriving chapbook through a childbirth metaphor that makes Griffith its doctor. The apology matters as much as the celebration: the outsider who seemed ready to denounce literary gatekeeping suddenly acknowledges another person's labor. His extravagant language survives the change of mood, but its target changes. The letters expose the dependence and embarrassment behind an apparently self-sufficient poetic persona.

An imagined moment inspired by Bukowski’s letter to E. V. Griffith about receiving Flower, Fist and Bestial Wail. The hands, postal interior, wrapping and page layout are interpretive, not a reconstruction or facsimile. (Illustration — The Paris Atlas)

A ride through rain-slick streets

In the February 1968 letter to the Webbs, the rain-soaked ride is already filtered through literary fame: Bukowski identifies Cassady as the figure behind On the Road, making an encounter at Open City part of an existing legend. Kallisto J. Vimr compares the quoted letter with the newspaper version and identifies both shared wording and differences in what gets told. That comparison complicates any simple opposition between private truth and public performance. Even correspondence selects and arranges experience for a particular audience; it is not an unmediated transcript of the journey.

An imagined street scene inspired by the ride with Neal Cassady recalled in Bukowski’s February 1968 letter to Jon and Louise Webb. The car, route and streetscape are invented; no historical likeness is depicted. (Illustration — The Paris Atlas)

Why we recommend it

  1. The life before the books

    The decade of the post office and the little magazines, recorded as it happened rather than remembered afterward.

  2. The hundred-dollar offer

    The correspondence that ends with John Martin's proposal — the moment the whole career turns.

  3. Editors as part of a writing life

    The correspondence makes submissions and arguments with magazines visible as ongoing work rather than background to the published poems.

What this book explores

Timeline

  1. 1960–1970

    The years the letters cover: the post office, the little magazines, and the correspondence with John Martin.

  2. 1993

    Black Sparrow Press publishes the volume, edited by Seamus Cooney.

  3. 1995

    Living on Luck follows, carrying the selected correspondence into Bukowski’s years as a full-time writer.

Book editions

Paperback edition cover
Paperback
Black Sparrow Press
1993
ISBN-13
9780876859148
First edition, edited by Seamus Cooney. Issued with 300 signed copies carrying an original silkscreen print.

Reader reviews

Loading reviews…

Recommended alongside Reach for the Sun, On Writing, Beerspit Night and Cursing and The Bukowski/Purdy Letters.

Screams from the Balcony: frequently asked questions

What is Screams from the Balcony?

The first of three volumes of Charles Bukowski's selected letters, published by Black Sparrow Press in 1993 and edited by Seamus Cooney. It covers 1960 to 1970.

Why read the letters rather than the novels?

The novels fictionalize the same years. These letters were written to particular people on the day things happened, so they are the closest thing to a direct record of the decade Bukowski spent at the post office.

Does the John Martin offer appear in it?

Yes. The correspondence with Martin runs through the volume and reaches the offer of a hundred dollars a month that let Bukowski quit his job in 1970.

How many volumes of letters are there?

Three from Black Sparrow, all edited by Seamus Cooney: this one, Living on Luck (1995), and Reach for the Sun (1999). Other volumes collect specific correspondences.

What is the title?

Bukowski's phrase. The letters were written from cheap apartments in Los Angeles, and the title describes the noise coming off them.

How was the selection made?

Seamus Cooney arranged the letters chronologically and used roughly half the contents of each, cutting repetition to keep the volume readable. He states the method rather than concealing it.

Who did Bukowski write to?

About twenty-five correspondents across the decade — mostly editors, publishers and other poets, including the artist Sheri Martinelli and the poet then known as Neeli Cherry.

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References

References

The sources below include the primary text, editions, scholarship, archival materials, and other records that informed this page. They document Screams from the Balcony, its publication, and its place in literary history.

  1. 1Screams from the Balcony

    Letters
    Charles Bukowski, 1993
    Used for

    The primary text represented by this page, used for descriptions of the work’s contents and for any quoted passages shown here.

  2. 2Charles Bukowski

    Biography
    Reaktion Books, 2012
    Used for

    The post-office decade and the correspondence with John Martin in the career narrative.

  3. 3Charles Bukowski timeline (bukowski.net)

    Website
    Used for

    Publication year, editor, and the chronology the letters cover.

    View source
  4. 4Charles Bukowski: books and chapbooks (Verdant Press checklist)

    Website
    Used for

    Edition details, including the signed silkscreen issue.

    View source
  1. 5Screams from the Balcony: Selected Letters 1960–1970 — edition record

    Official record
    Open Library, Internet Archive
    Used for

    Official record used to verify names, dates, institutional details, or other factual information on this page.

    View source
  2. 6Screams from the Balcony — review with quoted Griffith letters

    Website
    Bold Monkey Review, 2013
    Used for

    Primary letter excerpts quoted in the review, not its erroneous publication chronology.

    View source
  3. 7Genre and Gender in Charles Bukowski's Notes of a Dirty Old Man

    Essays
    Cleveland State University / OhioLINK, 2009
    Used for

    Pages 41–42: the Cassady letter excerpt and comparison with the column; not independent verification of the narrated events.

    View source
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Why these sources are here

The primary text is the baseline reference for every book page. Additional references document publication history, interpretation, and historical context where that evidence is available.

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