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Cover of A Very Long Engagement by Sébastien Japrisot

A Very Long Engagement

Un long dimanche de fiançailles

by Sébastien Japrisot

A young artist rebuilds the truth about five condemned soldiers from letters, witnesses, codes, and stubborn love.

Published
1991
Pages
336
Shelf rating
4.6

The story, briefly

Spoiler-free

In January 1917, five French soldiers accused of injuring their own hands to escape the trenches are sent into no-man's-land with their hands tied. Although a pardon has arrived, officers suppress it, and all five are officially reported dead. More than two years later, Mathilde Donnay refuses to accept the official account of her fiancé Manech's death. A young artist who has used a wheelchair since childhood, she begins with a dying sergeant's testimony, the men's last letters, and details that do not agree. Her search becomes both a love story and a mystery about how truth survives when institutions have reasons to bury it.

The story, in more detail

Mathilde moves through bereaved families, surviving soldiers, military records, coded messages, newspaper advertisements, and a private investigator. Each person saw only part of what happened at the trench called Bingo Crépuscule, so no single account can solve the case.

The five condemned men are Kléber Bouquet, Francis Gaignard, Benoît Notre-Dame, Ange Bassignano, and Jean Etchevery, called Manech or Cornflower. Their nicknames, boots, identity discs, farewell letters, and relationships become evidence years after official paperwork has declared the matter closed.

The chronology moves between January 1917 and Mathilde's postwar investigation. The structure lets readers test each new statement against what they already know while showing how war continues inside families long after the armistice.

The full plot

What happens, beginning to end — the ending included. Open when you're ready.

Five condemned soldiers are marched through the trenches: Kléber Bouquet, called the Eskimo; Francis Gaignard, called Six-Sous; Benoît Notre-Dame, called That Man; Ange Bassignano, called Common Law or Nino; and Jean Etchevery, called Manech or Cornflower.

In August 1919, dying Sergeant Daniel Esperanza tells Mathilde that he escorted the men to Bingo Crépuscule, helped send their final letters, and obeyed orders to put them beyond the parapet. He heard that all died but did not witness every death.

Mathilde studies Esperanza's papers and finds contradictions. Captain Favourier's letter indicates the men were alive on Sunday and might be recovered after dark. The official list and supposed manner of death do not match cleanly.

Family lawyer Pierre-Marie Rouvière learns that a presidential pardon arrived before the punishment but was ignored. Mathilde advertises and corresponds with families, former soldiers, and people connected to Bingo.

Kléber's story leads to Benjamin Gordes, Benjamin's wife Elodie, and Kléber's lover Véronique. Their painful triangle supplies evidence about German boots found among the bodies and about who returned toward danger.

Célestin Poux gives Mathilde the clearest eyewitness reconstruction. Kléber brings down a German aircraft before being killed; Six-Sous is shot after denouncing the war; Ange is killed; Manech's fate remains uncertain. Poux believes Benoît could have survived.

Tina Lombardi conducts a parallel investigation into her lover Ange's death. Unlike Mathilde, she takes revenge on officers involved in the suppressed pardon. Her prison letter reopens the case after her execution.

Heidi Weiss, whose German brother died near Bingo, helps compare evidence from the other side of no-man's-land. The former battlefield, now quiet farmland, makes the distance between official history and private memory visible.

Mathilde deciphers the code in Benoît's final letter and finds him. Benoît explains how he survived and helped the traumatized, one-handed Manech away from the battlefield.

Manech's identity disc was exchanged with that of dead Corporal Jean Desrochelles. Manech survived under Jean's name, without memory of Mathilde or the war, and was taken in by Jean's grieving mother.

How it ends — spoilers aheadThe final movement, ending included. Open when you're ready.

Mathilde finds Manech living as Jean Desrochelles. He is alive but has amnesia and does not recognize her. Madame Desrochelles accepted the identity switch because her son had died and Manech gave her someone to care for.

When Mathilde sits with him, Manech asks the same simple question he asked when they met as children, noticing that she cannot walk. The repetition suggests their relationship may begin again. The narration later calls Madame Desrochelles Mathilde's future mother-in-law, making clear that Mathilde and Manech marry.

The brief Monday Morning epilogue returns to January 1917. Newfoundland soldiers reach Bingo and bury five bodies. The count looks complete even though identities were changed, leaving the reader with the difference between a body count and the truth of who survived.

Themes and analysis

These readings discuss events throughout the book, including its ending.

Love expressed as work

Mathilde's devotion is not passive waiting. She reads, pays investigators, advertises, interviews witnesses, travels, remembers small details, and revises her theory when evidence contradicts it. Love gives the search endurance, but belief alone never becomes proof.

Mathilde turns devotion into an investigation, comparing letters and testimony for evidence of Manech’s fate. An imagined scene from A Very Long Engagement. (Illustration — The Paris Atlas)

Official history and concealed decisions

The ignored pardon is the novel's clearest institutional crime. Officers turn an illegal punishment into an ordinary casualty report and depend on battle's confusion to erase responsibility. Mathilde's private archive challenges that account one detail at a time.

Testimony is valuable and imperfect

Witnesses misremember, repeat rumors, protect the dead, conceal shame, or understand only the small part of battle they could see. The contradictions show why reconstructing chaos years later requires several partial accounts rather than one all-knowing witness.

The war continues after the armistice

Widows, parents, disabled veterans, children, and lovers keep living inside decisions made at the front. The case takes years because war survives in missing records, altered identities, poverty, guilt, and the need to make a life after loss.

Mathilde finds Manech alive, but he does not remember their life together. An imagined reunion from A Very Long Engagement. (Illustration — The Paris Atlas)

Mathilde's disability and agency

Mathilde's wheelchair changes how she travels and how others treat her, but it does not make her an emblem of helplessness. She is wealthy, sharp, stubborn, funny, and sometimes difficult. Her resources help; they do not give her control over evidence or memory.

Names, codes, and objects become evidence

The five men carry several names. Boots, identity discs, a mahogany box, the letters MMM, and coded farewells connect separate testimonies. The mystery repeatedly asks whether a label identifies a person or only creates an administrative story about one.

Writing style

Japrisot builds the novel from short scenes, letters, remembered conversations, official records, and stories told years later. The chronology moves backward and forward because Mathilde learns about January 1917 in fragments. Each return to Bingo adds a practical clue.

Voices matter as much as clues. Soldiers, workers, widows, lawyers, and officers use slang, military terms, pet names, jokes, and local expressions. Linda Coverdale's translation preserves the sense that different people tell the same event differently.

Japrisot also uses calm descriptions of fields, weather, gardens, and coast. They show the peaceful world the characters lost and the ordinary landscape growing over a battlefield. The mystery moves quickly while allowing loss to accumulate.

The 2004 film

Jean-Pierre Jeunet's French adaptation stars Audrey Tautou and Gaspard Ulliel. It preserves Mathilde's search and the five-soldier mystery while compressing witnesses and changing some domestic geography. It received Academy Award nominations for cinematography and art direction.

Why we recommend it

  1. Love as investigation

    Mathilde's faith becomes careful archival work rather than passive waiting.

  2. War's long aftermath

    The mystery shows how one suppressed order reshapes families years after the armistice.

  3. Evidence that needs interpretation

    Letters and conflicting testimony let readers follow Mathilde’s reasoning rather than treating her hope as proof.

What this book explores

The people in its pages

The roster includes the condemned five, the investigators, and the witnesses whose accounts materially change Mathilde's case. Each profile separates evidence from inference.

Also in the book

  • Illustrated portrait of Daniel Esperanza

    Daniel Esperanza

    The dying sergeant whose testimony begins the investigation.

  • Illustrated portrait of Kléber Bouquet

    Kléber Bouquet

    The older condemned soldier called the Eskimo.

  • Illustrated portrait of Francis Gaignard

    Francis Gaignard

    The socialist and pacifist condemned soldier called Six-Sous.

  • Illustrated portrait of Ange Bassignano

    Ange Bassignano

    The condemned soldier called Common Law or Nino, and Tina's lover.

  • Illustrated portrait of Germain Pire

    Germain Pire

    The private investigator whose fieldwork expands Mathilde's reach.

  • Illustrated portrait of Pierre-Marie Rouvière

    Pierre-Marie Rouvière

    The family lawyer who discovers the suppressed pardon.

  • Illustrated portrait of Benjamin Gordes

    Benjamin Gordes

    Kléber's friend, whose return to Bingo generates crucial evidence.

  • Illustrated portrait of Elodie Gordes

    Elodie Gordes

    Benjamin's wife, whose painful testimony corrects rumors about both men.

  • Illustrated portrait of Véronique Passavant

    Véronique Passavant

    Kléber's lover, who preserves his private history.

  • Illustrated portrait of Madame Desrochelles

    Madame Desrochelles

    The grieving mother who accepts amnesiac Manech as her dead son.

  • Illustrated portrait of Jean Desrochelles

    Jean Desrochelles

    The dead corporal whose identity disc changes the ending.

  • Illustrated portrait of Heidi Weiss

    Heidi Weiss

    The Austrian woman who brings evidence from the German side.

  • Illustrated portrait of Sylvain

    Sylvain

    Mathilde's caregiver and family-like uncle, who supports her travel.

  • Illustrated portrait of Bénédicte

    Bénédicte

    Sylvain's wife and Mathilde's maternal caregiver.

Bring it to book club

  • When does Mathilde's belief become a method of investigation?
  • Why hear the same weekend from so many people?
  • What can letters preserve that a casualty list cannot?
  • How do Mathilde and Tina resemble one another?
  • Why are nicknames, identity discs, boots, and codes so important?
  • Does Manech's amnesia make the ending hopeful, tragic, or both?
  • How does the postwar landscape change the trench scenes?
  • What does the ignored pardon reveal about institutional responsibility?
  • How does Mathilde's class help, and where does money fail?

A complete discussion guide is on our editorial calendar. Join the letter to hear when it ships.

Timeline

  1. 1991

    Denoël publishes the novel in France; it wins the Prix Interallié.

  2. 1993

    Farrar, Straus and Giroux publishes Linda Coverdale's English translation.

  3. 2004

    Picador publishes a film tie-in paperback.

  4. 2004

    Jean-Pierre Jeunet's film adaptation opens in France.

  5. 2005

    The film receives Academy Award nominations for cinematography and art direction.

Book editions

Hardcover
Hardcover
French
Denoël
1991
First French edition; winner of the Prix Interallié.
Hardcover
Hardcover
Farrar, Straus and Giroux
1993
Linda Coverdale's English translation.
Paperback edition cover
Paperback
Picador
2004
ISBN-13
9780312420016
Movie-tie-in paperback.

Reader reviews

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Also recommended in books like A Farewell to Arms.

A Very Long Engagement: frequently asked questions

Is Manech alive at the end?

Yes. He survives under Jean Desrochelles's identity but has amnesia.

Does Manech remember Mathilde?

No, not when she finds him. The narration makes clear that they later marry.

Why were the five condemned?

They were accused of deliberately injuring their hands to escape combat.

Had they been pardoned?

Yes. The pardon arrived before the punishment, but officers concealed or ignored it.

Who is That Man?

Benoît Notre-Dame, one of the five and the key surviving witness.

What does MMM mean?

It is Manech and Mathilde's private inscription; exact wording varies in translation and adaptation.

Is the novel chronological?

No. Mathilde's postwar investigation repeatedly returns to January 1917 through letters and testimony.

Who is Tina Lombardi?

Ange's lover and a parallel investigator who chooses revenge rather than Mathilde's evidentiary path.

How does the film differ?

The 2004 film compresses witnesses and changes some settings while preserving the central mystery.

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References

References

The sources below include the primary text, editions, scholarship, archival materials, and other records that informed this page. They document A Very Long Engagement, its publication, and its place in literary history.

  1. 1A Very Long Engagement

    Official record
    Macmillan
    Used for

    Publisher synopsis, excerpt, and edition details.

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  2. 2A Very Long Engagement reading group guide

    Official record
    Macmillan
    Used for

    Plot, character, and discussion cross-check.

    View source
  3. 3Un long dimanche de fiançailles

    Official record
    Académie des César
    Used for

    Film and award record.

    View source
  4. 4A Very Long Engagement

    Official record
    Academy of Motion Picture Arts and Sciences
    Used for

    Academy Award nomination record.

    View source
  1. 5A Very Long Engagement — Open Library ISBN catalogue

    Official record
    Open Library, Internet Archive
    Used for

    Edition cross-check.

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  2. 6A Very Long Engagement — Google Books edition record

    Official record
    Google Books
    Used for

    Edition cross-check.

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  3. 7A Very Long Engagement — Internet Archive ISBN catalogue

    Official record
    Internet Archive
    Used for

    Library availability cross-check.

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  4. 8A Very Long Engagement — Library of Congress books catalogue

    Official record
    Library of Congress
    Used for

    Bibliographic cross-check.

    View source
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Why these sources are here

The primary text is the baseline reference for every book page. Additional references document publication history, interpretation, and historical context where that evidence is available.

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