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Cover of Flower, Fist and Bestial Wail by Charles Bukowski

Flower, Fist and Bestial Wail

by Charles Bukowski

Bukowski's first book: a 200-copy chapbook that took thirty months to appear and did not sell out for years.

Published
1960
Shelf rating
3.6

About Charles Bukowski

Illustrated portrait of Charles Bukowski

The story, briefly

Spoiler-free

Flower, Fist and Bestial Wail, published on 14 October 1960, was Charles Bukowski's first book — a poetry chapbook of 200 copies from E. V. Griffith's Hearse Press. Bukowski was forty. The book took roughly thirty months to appear after it was first planned, mostly because Griffith kept running out of money; Bukowski eventually contributed to the production costs of his own first book. The cover, by the artist Ben Tibbs, shows a fist gripping a flower in front of a wailing mouth, lettered in red. It did not sell out: in late 1962 Griffith still had more than fifty copies on hand. The surviving copies are now among the most sought-after Bukowski items in the rare-book trade.

The story, in more detail

Nothing about the debut predicted the career. A forty-year-old post-office worker, published here and there in little magazines, waited two and a half years for two hundred copies of a pamphlet he helped pay for — and then watched it not sell. The value of the book is retrospective: it is where the shelf begins, and its title has the early Bukowski's lyric extravagance rather than the flat manner he became famous for. Three years later the Loujon Press edition of It Catches My Heart in Its Hands gave him a real full-length collection, and the chapbook's fate reversed — from remainder to rarity.

Themes and analysis

These readings discuss events throughout the book, including its ending.

The old propeller

The museum in “The Day It Rained at the Los Angeles County Museum” is not insulated from events outside it. Reports of death, weapons and a race result surround the speaker's inspection of the propeller, giving unlike events the same abrupt treatment. His pleasure in the rainy afternoon recalls another apparently unpromising moment in New Orleans that he had resolved to remember. Attention makes such moments worth retaining without making them cheerful. Yet the stranger's ordinary weather question receives a threat to summon the guard. The speaker protects his private associations by refusing conversation, exposing the hostility that can accompany his intensely receptive looking.

An imagined museum moment from “The Day it Rained at the Los Angeles County Museum,” collected in Flower, Fist and Bestial Wail. (Illustration — The Paris Atlas)

Sketches and the green bus

“His Wife, the Painter” begins by moving from sketches inside a room to traffic outside it. The sketches belong to the room, but the moving bus is also described through a drawn line. Radio voices add writers' names to this mixture of art and traffic, before a portrait appointment introduces a precise date into the unsettled scene. Later, dialogue and private thoughts alternate with the terse naming of artworks and their locations. The reader must move among these different kinds of statement without a continuous explanation. The poem assembles its portrait of domestic life through interruptions rather than presenting one observer's orderly account.

An imagined view of the opening of “His Wife, the Painter,” collected in Flower, Fist and Bestial Wail: wall sketches and a green bus outside. (Illustration — The Paris Atlas)

Why we recommend it

  1. The first book

    Everything on the Bukowski shelf descends from these 200 copies — the debut of a poet already twenty years into rejection slips.

  2. The late start, made visible

    Bukowski's career is the standing argument against starting young; this chapbook is its opening exhibit.

  3. A voice before the established persona

    The first chapbook allows readers to compare the early poet with the more familiar novelist and public performer.

What this book explores

Timeline

  1. 1958

    The chapbook is planned with E. V. Griffith of Hearse Press; delays begin almost immediately.

  2. 1960

    Published on 14 October in 200 copies — Bukowski's first book, at forty.

  3. 1963

    It Catches My Heart in Its Hands, the first full-length collection, follows from Loujon Press.

Book editions

Paperback
Paperback
Hearse Press
1960
First edition: 200 copies, published 14 October 1960, with cover art by Ben Tibbs.

Reader reviews

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Recommended alongside The Roominghouse Madrigals.

Flower, Fist and Bestial Wail: frequently asked questions

What was Charles Bukowski's first book?

Flower, Fist and Bestial Wail — a poetry chapbook of 200 copies, published by E. V. Griffith's Hearse Press on 14 October 1960. Bukowski was forty years old.

Why did it take so long to appear?

The publisher kept running out of money. Roughly thirty months passed between the plan and the printed book, and Bukowski contributed to the production costs himself.

Did it sell?

No. In late 1962 the publisher still had more than fifty of the 200 copies. Its rarity today is the reverse of its reception.

Who made the cover?

The artist Ben Tibbs — a fist gripping a flower in front of a wailing mouth, with the title lettered in red.

Can I read the poems today?

The chapbook itself has never been reprinted, and surviving copies trade at rare-book prices. The early poetry is best reached through Burning in Water, Drowning in Flame, the in-print selected volume covering 1955 to 1973.

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References

References

The sources below include the primary text, editions, scholarship, archival materials, and other records that informed this page. They document Flower, Fist and Bestial Wail, its publication, and its place in literary history.

  1. 1Flower, Fist and Bestial Wail

    Poetry
    Charles Bukowski, 1960
    Used for

    The primary text represented by this page, used for descriptions of the work’s contents and for any quoted passages shown here.

  2. 2Charles Bukowski

    Biography
    Reaktion Books, 2012
    Used for

    The Hearse Press debut and the little-magazine years in the career narrative.

  3. 3Charles Bukowski timeline (bukowski.net)

    Website
    Used for

    Publication date, print run, the production delays, and the unsold copies.

    View source
  4. 4Charles Bukowski: books and chapbooks (Verdant Press checklist)

    Website
    Used for

    Bibliographic details of the Hearse Press chapbook checked against the checklist.

    View source
  1. 5Charles Bukowski (Poetry Foundation)

    Website
    Used for

    The late start and little-magazine years in the career arc.

    View source
  2. 6The Day It Rained at the Los Angeles County Museum — later collected-text transcription

    Website
    Black Sparrow Press text transcribed on Zanotowane
    Used for

    Complete 31-line museum poem in a public transcription of the later 1997 Black Sparrow selected poems, pages 25–26. Supports the reading of memory, attention and refusal; not a 1960 facsimile or independently verified visit.

    View source
  3. 7His Wife, the Painter — primary poem transcription

    Website
    PoetryVerse
    Used for

    Complete displayed primary poem, from the wall sketches to the closing sleep image. The reading uses the poem itself, not the site's adjacent generated analysis. Transcription has typographical errors and flattened lineation; no original-edition collation or identification of the couple is claimed.

    View source
  4. 8Flower, Fist and Bestial Wail — collection contents

    Website
    Charles Bukowski Poem and Story Database
    Used for

    Specialist contents confirm both illustrated poems belong to this collection. Approximate composition dates and the index's exact publication date are not adopted.

    View source
i
Why these sources are here

The primary text is the baseline reference for every book page. Additional references document publication history, interpretation, and historical context where that evidence is available.

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