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Lobster Trap and Fish Tail: a hanging mobile of black wire cage forms and flat fin-shaped aluminum blades balanced on curving wires

Artwork reproduction

SculptureThe first mobiles

Lobster Trap and Fish Tail

by Alexander Calder

Calder's 1939 mobile for MoMA's stairwell: a wire lobster trap and a school of aluminum fins balancing overhead — one of the earliest full statements of the hanging mobile.

Created
1939
Medium
Painted steel wire and sheet aluminum, about 260 × 290 cm

About Alexander Calder

Illustrated portrait of Alexander Calder
Alexander Calder

5 works catalogued

Made for a stairwell

The Museum of Modern Art commissioned the mobile in 1939 for the main stairwell of its new building, and Calder fabricated it that year at his Roxbury, Connecticut farmhouse. It hangs about two and a half metres tall and nearly three metres across.

The title names what the balancing act suggests. A wire cage like a lobster trap hangs at one end, a school of flat aluminum fins like a fish's tail at the other, and the whole set drifts with the air of the stairwell.

The mobile arrives in public

Coming eight years after Marcel Duchamp coined the word, this was one of the first mobiles made for permanent public display. It is among the earliest to show the full grammar: asymmetric balance, natural imagery abstracted to silhouette, and air as the motor. It has hung at MoMA for most of the museum's history.

Close reading

Reading the work, detail by detail

The photograph catches the mobile in one temporary arrangement. These details distinguish solid shapes from wire outlines and show how the hanging parts depend on one another.

A compact cluster of curved solid shapes hangs at the top.

1.The upper cluster

The overlapping plates create a dense mass above a much more open lower structure. Their alternating light and dark faces suggest shapes turning through space.

A short chain of open wire loops links the upper and lower parts.

2.The chain of loops

The loops make the connection visible without filling much space. They allow the eye to trace how the lower assembly hangs from the compact form above.

A rounded open wire cage hangs from one end of a curved rod.

3.The wire trap

The trap encloses space with almost no solid surface. Its overlapping curves gain volume from their changing intervals and from the pale wall seen through them.

A row of dark suspended shapes extends along branching curved rods.

4.The branching tail

Each branch carries a different shape at a different distance from the support. The repeated arrangement makes balance visible as a sequence of unequal relationships.

A large dark terminal shape contains a small pale opening.

5.The pierced end

The hole puts a pocket of empty space inside the mobile's darkest form. It repeats, on a smaller scale, the open construction of the wire trap.

A woman stands at a balcony railing beside the suspended sculpture.

6.A person for scale

Her presence shows how far the mobile extends beyond the scale of a small ornament. The nearby railing also establishes the open architectural space in which the pieces hang.

Detail views use the same reproduction throughout. Source reproduction and collection information.

Where to see it

A viewing location has not yet been listed for this work.

Frequently asked questions

Who commissioned Lobster Trap and Fish Tail?

The Museum of Modern Art in New York, in 1939, for the main stairwell of its new building. Calder made the mobile at his farmhouse in Roxbury, Connecticut.

What does Lobster Trap and Fish Tail depict?

Exactly what the title says, abstracted: a wire cage like a lobster trap on one side of the balance, and a run of flat aluminum fins like a fish's tail on the other.

How does the mobile move?

By air alone. The parts hang in asymmetric balance from curving steel wires, so ordinary drafts turn and dip the elements without motors.

How big is Lobster Trap and Fish Tail?

About 260 centimetres high by 290 centimetres across — sized to command a stairwell from above.

Where can I see Lobster Trap and Fish Tail?

At the Museum of Modern Art in New York, hanging in the stairwell setting it was commissioned for in 1939.

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References

References

The sources below include collection records, catalogues, scholarly research, and primary materials that informed this page. They document Lobster Trap and Fish Tail, its making, and its place in cultural history.

  1. 1Alexander Calder, Lobster Trap and Fish Tail — collection page

    Website
    The Museum of Modern Art
    Used for

    Web source consulted for documented facts and historical context presented on the Lobster Trap and Fish Tail page.

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  2. 2Lobster Trap and Fish Tail (1939) — catalogue entry

    Website
    Calder Foundation
    Used for

    Web source consulted for documented facts and historical context presented on the Lobster Trap and Fish Tail page.

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  1. 3Lobster Trap and Fish Tail

    Website
    Wikipedia
    Used for

    Web source consulted for documented facts and historical context presented on the Lobster Trap and Fish Tail page.

    View source
  2. 4Introduction to Alexander Calder

    Website
    Calder Foundation
    Used for

    Web source consulted for documented facts and historical context presented on the Lobster Trap and Fish Tail page.

    View source
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Why these sources are here

These references provide the documented foundation for this work's history and interpretation. Claim-level citations remain attached to the specific claims they support.

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