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Cover of Factotum by Charles Bukowski

Factotum

by Charles Bukowski

Henry Chinaski across wartime America, one abandoned job at a time — the American work ethic, refused politely and then not politely.

Published
1975
Shelf rating
4.2

About Charles Bukowski

Illustrated portrait of Charles Bukowski

The story, briefly

Spoiler-free

Factotum, Charles Bukowski's second novel, published by Black Sparrow Press in 1975, follows his fictional alter ego Henry Chinaski through the wandering years of the early 1940s: city to city, rooming house to rooming house, job to job. A factotum is a general hand who does whatever needs doing, and Chinaski does it all badly — warehouses, stockrooms, shipping departments — working because rent is due, quitting because he can, and getting fired for the rest. Underneath the comedy of terrible jobs runs the book's real subject: a man who needs money badly enough to work but never badly enough to believe in the work, carrying a rejected short story from town to town like proof of another life.

The story, in more detail

Rejected by the wartime draft and by every editor he submits to, the young Chinaski drifts through New Orleans, St. Louis, Philadelphia, New York and Los Angeles, taking whatever work exists and losing it: a pickle factory, a bicycle warehouse, an auto-parts stockroom, a dozen more. The jobs are interchangeable and the novel knows it — the repetition is the point, not a flaw in the plot.

Between jobs there is drinking, the racetrack, and Jan, the lover whose fights and reconciliations give the middle of the book its pulse. Through all of it Chinaski keeps writing stories and mailing them to magazines, collecting rejections — the one thread in the novel that points anywhere but down. Bukowski drew the material from his own wandering years in the 1940s, transformed with three decades of hindsight.

The full plot

What happens, beginning to end — the ending included. Open when you're ready.

Set during the Second World War, the novel follows Henry Chinaski after he is rejected by the draft board. He leaves his parents' house after a fight with his father and moves through Los Angeles, New Orleans, Miami, St. Louis and back, taking whatever work he can get.

The jobs are the book: a pickle factory, a dog-biscuit plant, a bicycle warehouse, a newspaper loading dock, a Christmas-decoration shop. Each is described exactly, and each ends the same way, with Chinaski fired or walking out. Between jobs there is drinking, cheap rooms, the racetrack, and the woman Jan.

How it ends — spoilers aheadThe final movement, ending included. Open when you're ready.

There is no arrival. The novel stops with Chinaski still drifting, still writing, still sending stories to magazines that reject them — the point being that this went on for years before anything changed.

Themes and analysis

These readings discuss events throughout the book, including its ending.

Watching the pigeons

Chinaski's hours watching pigeons sit between two kinds of counting: the slow passage of unclaimed time and the shrinking money that pays for it. His walks and distant observation of the bar offer freedom from a work schedule, but the single daily meal reveals its cost. Bukowski lets leisure and deprivation occupy the same brief paragraph. The next chapter's movement from declining a job to needing one makes that freedom temporary. Observation is a pleasure here, yet it cannot keep the observer fed indefinitely.

During his early days in New Orleans, Chinaski sits watching pigeons. An imagined scene from Factotum. (Illustration — The Paris Atlas)

The downstairs telephone

The telephone exchange turns on incompatible measures of a worker's claim to more money. Heathercliff points to the driver's two years of service; Chinaski answers with his own need. Neither accepts the other's terms. Short questions and replies strip the negotiation down until hanging up gives Chinaski control over its ending. But the next chapter immediately complicates that victory: he accepts another job for less money. The sequence separates the power to leave from the power to improve his circumstances, making the resignation both defiant and costly.

After his request for a raise is refused, Chinaski quits over the telephone. An imagined scene from Factotum. (Illustration — The Paris Atlas)

Why we recommend it

  1. The best of the early Chinaski novels

    Tighter than Women, funnier than its reputation, and the purest statement of Bukowski's argument with the American work ethic.

  2. Work, demythologized

    Jobs do not build character here and employment confers no dignity — the novel says so out loud, decades before that became a common thing to say.

  3. Writing amid insecure work

    Chinaski’s rejected story gives the movement between jobs another purpose: he is trying to maintain a life as a writer without a reliable income.

What this book explores

The people in its pages

Chinaski is Bukowski's alter ego; the jobs and cities follow his own wandering years in the 1940s.

  • Illustrated portrait of Henry Chinaski

    Henry Chinaski

    Bukowski's alter ego in his twenties: rejected by the draft, unable to hold a job for long, drinking steadily, and writing stories nobody will print.

  • Illustrated portrait of Jan

    Jan

    The woman Chinaski meets in a bar and lives with on and off through the middle of the book — the closest thing in it to a companion, and a drinker to match him.

  • Illustrated portrait of Laura

    Laura

    A woman Chinaski takes up with after Jan, attached to a wealthy older man and to the drinking that surrounds him.

Timeline

  1. 1941–1946

    Bukowski's real wandering years: cities, short-lived jobs, and the rejections that later become the novel's material.

  2. 1944

    Story magazine publishes his first professional piece, 'Aftermath of a Lengthy Rejection Slip' — the real event behind the novel's mailed-out manuscripts.

  3. 1975

    Black Sparrow Press publishes Factotum.

Book editions

Paperback
Paperback
Black Sparrow Press
1975
First edition.
Paperback edition cover
Paperback
Ecco
2002
ISBN-13
9780061131271
The in-print edition.

Reader reviews

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Cover of Post Office by Charles Bukowski

Post Office

Charles Bukowski

The next chapter in the life: the wanderer fixed in place by one enormous employer.

Read our take
Cover of Ask the Dust by John Fante

Ask the Dust

John Fante

John Fante's Arturo Bandini walked these same Los Angeles streets first, and Bukowski called Fante his literary god.

Read our take

Recommended alongside Hunger, The Ginger Man, Notes of a Dirty Old Man, South of No North, On Drinking, On Writing and Barfly.

Also recommended in books like Sexus.

Factotum: frequently asked questions

What is Factotum about?

Charles Bukowski's second novel follows Henry Chinaski, his fictional alter ego, through the early 1940s as he drifts between American cities and dozens of low-paid jobs — working because rent is due, quitting or getting fired, drinking, and mailing out short stories that keep coming back rejected.

What does the title Factotum mean?

A factotum is a general hand employed to do all kinds of work. The title is the novel's thesis: Chinaski does every job and belongs to none of them.

Should I read Post Office or Factotum first?

Post Office is the usual entry point — it was written first and is the faster book. Factotum covers the earlier years of Chinaski's life, so readers who want life-chronology can read it before Post Office without harm.

Is Factotum autobiographical?

It draws on Bukowski's real wandering years in the 1940s — the cities, the jobs, the rejections — but Chinaski is a fictional exaggeration of his author, and the novel rearranges the facts freely.

When was Factotum published?

Black Sparrow Press published it in 1975, when Bukowski was fifty-five.

What does the title Factotum mean?

A factotum is someone employed to do all kinds of work. The novel is a sequence of such jobs — pickle factory, dog-biscuit plant, loading dock — each taken and lost in turn.

Is there a film of Factotum?

Yes. Bent Hamer's 2005 adaptation stars Matt Dillon as Henry Chinaski and Lili Taylor as Jan.

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References

References

The sources below include the primary text, editions, scholarship, archival materials, and other records that informed this page. They document Factotum, its publication, and its place in literary history.

  1. 1Charles Bukowski (Poetry Foundation)

    Website
    Used for

    Biographical and bibliographic backbone: the career arc, the Black Sparrow relationship, and the book's place in it.

    View source
  2. 2Charles Bukowski timeline (bukowski.net)

    Website
    Used for

    Publication dates, publishers, and chronology checked against the bukowski.net timeline.

    View source
  3. 3Charles Bukowski: books and chapbooks (Verdant Press checklist)

    Website
    Used for

    Bibliographic details cross-checked against the Verdant Press checklist.

    View source
  1. 4Factotum by Charles Bukowski — catalogue record

    Website
    Open Library, Internet Archive
    Used for

    Web source consulted for documented facts and historical context presented on the Factotum page.

    View source
  2. 5Factotum — public opening-chapter preview

    Novel
    Ecco; preview hosted by Perlego, 2009
    Used for

    Primary-text evidence for the two scene readings; chapter locators refer to the public preview.

    View source
i
Why these sources are here

The primary text is the baseline reference for every book page. Additional references document publication history, interpretation, and historical context where that evidence is available.

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