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Illustrated portrait of Atlájala

A character in The Delicate Prey and Other Stories

Atlájala

The bodiless consciousness that enters living creatures and learns sensation from within them.

What they want

To experience fuller forms of sensation and consciousness, even when human desire makes that experience unstable.

The book

Cover of The Delicate Prey and Other Stories by Paul Bowles
The Delicate Prey and Other StoriesPaul Bowles, 1950

Seventeen stories in which travelers, families, missionaries, and outsiders discover how quickly the world can stop behaving as they expected.

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At a glance

Story
The Circular Valley
Collection
The Delicate Prey and Other Stories
Period
Mid-twentieth century

Who they are in the book

Spoiler-free

Atlájala inhabits the valley around an abandoned monastery without possessing an ordinary body. The consciousness enters animals and later human beings, borrowing their access to the physical world.

Movement toward human consciousness brings richer perception but also memory, desire, jealousy, and divided intention. Expansion becomes disturbance at the same time.

Rather than explain possession as a fixed supernatural mechanism, Bowles uses Atlájala to question where one self ends and another begins.

How Atlájala Is Portrayed

Appearance, manner, and tone — as the book sketches them, in our words.

  • Place in the storyAtlájala is the story’s point of view without being an ordinary embodied person.
  • How power worksEntering another creature removes the normal boundary between observer and observed.
  • What Bowles showsHuman jealousy complicates the earlier immediacy of animal sensation.
  • What remains uncertainThe story keeps both Atlájala’s origin and the final limits of the consciousness unexplained.
  • What the friars could not killIt lived in the monastery for centuries. The friars tried to destroy it, gave up and left, and the Indians who came after wondered why it allowed them to stay.
  • Moving through the halls at dawnIn the early morning the restless Atlájala moves through the monastery, the dark rooms speeding past one after another, until it pauses where eager young trees have pushed up the paving.
  • Becoming a young friarOne evening it aimlessly becomes one of the friars, and finds the sensation stifling, as though every other possibility had been removed. When the friar raises his arms to the sky, it feels opposition for the first time.
What happens to AtlájalaHow the book leaves them, what happened after, and what the record says. Open when you're ready.

Atlájala’s movement into human experience makes identity less stable, not more complete; the story ends with the boundaries of self still unsettled.

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